Monte Schulz's prose novel opens in the spring of 1929, as the 19-year-old consumptive farm boy Alvin Pendergast attends an ill-fated dance marathon he's too sickly to participate in. After a year of his life has been stolen by a sanitarium, Alvin knows he's relapsing, and dreads not only the drudgery of his family's homestead, but a return to the hospital. In this state oMonte Schulz's prose novel opens in the spring of 1929, as the 19-year-old consumptive farm boy Alvin Pendergast attends an ill-fated dance marathon he's too sickly to participate in. After a year of his life has been stolen by a sanitarium, Alvin knows he's relapsing, and dreads not only the drudgery of his family's homestead, but a return to the hospital. In this state of mind, an invitation for a late-night slice of pie is too seductive to pass up and before he knows it, Alvin crosses the Mississippi River and finds himself working for a slick con artist named Chester Burke.Alvin is no match for Chester, who's not merely a con man, but a gangster from Chicago, following the bootleg liquor trade through the small towns of America's middle border. With Alvin in tow, Chester's insouciant disregard for life serves him well as he embarks upon a series of bank robberies and senseless murders. All summer long, Chester assumes the role of a dark angel on Judgment day, cleansing the scrolls of those whose sad fortune had drawn them across his path. Too ill to flee, too morally weak to object, Alvin resigns himself to what seems like certain doom somewhere down the road. Fortunately, Alvin finds another companion on his journey, a lonely, eccentric, and grandiloquent dwarf named Rascal, whose own infirmity binds his and the farm boy's destiny together. Drawn deeper and deeper into Chester's murderous frolic, they come across a curious assortment of characters, from small town businessmen and religious kooks to wayward girls and dance contestants, spiritualists and sideshow freaks. Caught between Chester's villainy and Alvin's own physical deterioration, the young farm boy must make a decision: stick with Chester, who would surely kill him at the slightest hint of betrayal, or muster the courage to stake his life on faith in Rascal's clever plan to save them both. Tired of being afraid, Alvin finally grasps the need not only to outwit the gangster but to find another road to travel. What he discovers about the meaning of home offers a solution to escape and freedom.This Side of Jordan is a thoroughly American novel told in the voice of a lost generation hurtling toward the Great Depression, and evokes a long ago America of crowded Main Streets and tourist camps, miles of cornfields, rural church¬es, and musty parlors. It ends on the fairgrounds of a traveling wagon circus that beckons gangster, farm boy, and dwarf toward a startling resolution, and a hard-fought absolution for the two young, frightened collaborators. The narrative of this novel has the momentum of a freight train, but told in the seductive, rhythmic tradition of Southern lyricism reminiscent of Flannery O'Connor and Truman Capote, and filled with vivid, outsized literary characters. If Jim Thompson and Carson McCullers went on a collaborative bender by kidnapping Holden Caulfield, Perry Smith, and Ignatius J. Reilly, they'd have come up with something like This Side of Jordan....
|Title||:||This Side of Jordan|
|Number of Pages||:||320 Pages|
|Status||:||Available For Download|
|Last checked||:||21 Minutes ago!|
This Side of Jordan Reviews
I acquired this book about a year ago and every time I would start to read it, I found that I could not continue. I finally forced myself to finish it and though I am glad I did, it is probably not my kind of book. Schultz's description of depression era America is beautiful, his imagery accurate and his recreation of the period is excellent. His research into this era definitely paid off as he was able to capture the voice and sentiment of an age past with great aplomb. But while I believe the author worked very hard at this book, the unfolding story proved too slow and mostly meandering for me. The wordiness of the book, its inability to formulate an idea and keep it interesting eventually made me realize that this book would not be one I revisit. Alvin Pendergrast's escape from the drudgery and sickness of his current life into the promised excitement and adventure with Chester Burke never quite lived up to its promised potential. Chester as the villain of this piece lacked a certain nuance that would maybe have made him a bit more believable/enjoyable outside a Dickensian tale. He was evil and violent and he does not deviate much from that. I wish this character had more depth, even if it was all bad but at least gave me an insight into his other facets. I think that my inability to fully appreciate this book may be more a matter of taste than any deficiencies on the author's part. The synopsis of the book drew me in but was unable to sustain my interest. But I do believe that fans of this genre will love it for its ability to elegantly capture a by gone era with amazing accuracy.**Review copy provided by Amazon.com's Vine Program.
Bank robberies, murder, a midget all set into the nostalgia of the 20s. Very well written.